Las óleos de todo Giovanni Migliara
ID Image  Painting (From A to Z)       Details 
92073  
Giovanni Migliara, Frati in cucina
  		 Frati in cucina   1827(1827) Medium oil on canvas Dimensions Height: 59 cm (23.2 in). Width: 44.3 cm (17.4 in). cyf
30678  
Giovanni Migliara, Interior of Basilica of San Lorenzo
  		 Interior of Basilica of San Lorenzo   mk68 Oil on canvas Milan,Milan Museum 1822 Italy
92072  
Giovanni Migliara, Interno del monastero di Altacomba
  		 Interno del monastero di Altacomba   1833(1833) Medium oil on canvas cyf
87379  
Giovanni Migliara, Veduta dei dintorni di Lecco
  		 Veduta dei dintorni di Lecco   1815(1815) and 1820(1820) Medium Oil on canvas cyf
88279  
Giovanni Migliara, Veduta di Palazzo Ducale a Venezia
  		 Veduta di Palazzo Ducale a Venezia   1815(1815) Medium Oil on canvas cyf
91099  
Giovanni Migliara, Veduta di Palazzo Ducale a Venezia
  		 Veduta di Palazzo Ducale a Venezia   1815(1815) Medium oil on canvas Dimensions Height: 34.7 cm (13.7 in). Width: 45 cm (17.7 in). cyf
87533  
Giovanni Migliara, Veduta di piazza del Duomo in Milano
  		 Veduta di piazza del Duomo in Milano   Date 1819(1819) Medium Oil on canvas Dimensions Height: 47 cm (18.5 in). Width: 61 cm (24 in). cjr
Giovanni Migliara
Italian 1785-1837 He began his career as a scene painter with Gaspare Galiari (1761-1823) in Milan, working at the Teatro Carcano in 1804 and at La Scala from 1805 to 1809. Owing to illness, after 1810 he turned to small-scale works in watercolour or oil using various supports, including silk and ivory. At this date Milanese painting was dominated by Andrea Appiani and Luigi Sabatelli, both leading Neo-classical artists. However, Migliara remained aloof from this dominant movement and instead drew on medieval and historical subjects with Romantic undertones. His precise, jewel-like technique and choice of subject-matter found favour with aristocratic patrons in Milan. His figures are generally stilted and burdened by their costumes, though the crowd in Sacking of Minister Prina's House (1814; Milan, Gal. A. Mod.) is depicted with unusual fluency. In 1822 Migliara was appointed Professor of Perspective at the Accademia di Belle Arti, Milan, and in 1833 he was nominated painter to the court of Charles-Albert, King of Sardinia (reg 1831-49). More typical of his historical scenes is Entrance to the Castle of Plessis de la Tour (Turin, Gal. Civ. A. Mod.), which was exhibited at the Brera in 1833. He also produced many topographically precise pictures of church interiors in which he combined his training as a scene painter with his knowledge of intaglio techniques.



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